Category Archive: design

How to Place Patterns Over Short-Row Fabric

First of all, I want to say a big, “Thank You!” to Kay at Mason-Dixon Knitting! Last Sunday, when Jen told me that my Sideway & Merging Ripple shawls were mentioned in Mason-Dixon Knitting, I was totally in shock! Thank you so much, Kay, for your amazing post!

Today, I’m going to share a method for producing a fabulous all-over pattern on a short-row shaped fabric!

Last year, I wrote a short tutorial on short-row in Knitscene Winter 2012 issue and since then, I’ve published quite a few new designs involving short-row technique. So I thought I would write a follow-up article on applied knowledge in Wrap & Turn short-row.

All-over patterning

So why do you need this applied knowledge, when short-row is easily worked on either garter stitch or stocking stitch? Well, wouldn’t it be amazing if this shaped fabric had patterns all over and that you can knit it! After reading this post you’ll be able to do just that! :)

river-slippers

(above) Copyright Interweave Press

Osney_Shrug

Examples of patterned short-row fabric are River Slipper (first image above), Osney Shrug (2nd image above), and Baby Cable Yoke Jacket etc. And if you look closely, you’ll see there are two categories of such pattern placements:

(1) A single pattern all over the short-row fabric (fig. 1. A) – e.g. Osney Shrug.
(2) Several different patterns, such as cables, placed next to each other (fig. 1. B) – e.g River Slippers & Baby Cable Yoke Jacket.

short-row_fig1

To achieve either of the above patterns, you need to satisfy both the row and stitch rules. But before I talk about these two rules, I need to briefly mention one thing.

In short-row, each time you wrap & turn, the fabric on one side grows 2 rows more than the other. For example, consider the following set (also see fig. 2):

cumulative rows worked
1st SR segment Row 1 (RS): Patt to last 6 sts, w&t.
Row 2 (WS): Patt to end.
 2
2nd SR segment Row 3: Patt to 6 sts before the wrap, w&t.
Row 4: Patt to end.
 4
3rd SR segment Row 5: Patt to 6 sts before the wrap, w&t.
Row 6: Patt to end.
 6
Hiding the Wrap(4th SR segment) Row 7: With the RS facing, Patt to end lifting the wrap at the base – then SSK the wrap and its stitch together.
Row 8: Patt to end.
 8

shor-row_fig2

This means that for each set of the short-row, the fabric grows by 2, 4, 6 and 8 rows from left to right. The fact that for each wrap & turn, the one side of the fabric grows by 2 rows seem obvious but is very important to remember this when you place a pattern.

Row Rule

To achieve (1), the easiest option is to choose a pattern with a row repeat of 2 rows. Larger row repeat is possible, but you would need to repeat several short-row sets to reset the pattern to the beginning.

This is because you work the same repeat of the pattern, no matter which segment or set of short-row you are working. Although it is possible to use a pattern with the row repeat of more than 2 rows, it becomes more complex, because the pattern placement will become staggered and you would need to repeat several sets of short-rows to “reset” and return to where you started. I usually avoid it, because working out hundreds of stitches for a garment is complex enough! But just for the purpose of this post, let’s use a pattern with a row repeat of 4 rows.

4-Row repeat

At the end of the first set of short-row, the 1st and 3rd (i.e. odd number) short-row segments will have an incomplete pattern. This is because for each set, the fabric grew by 2 and 6 rows respectively and the row repeat of the chosen pattern is 4. However, the 2nd & 4th (even number) short-row segments will have a pattern completed because the fabric grew by 4 and 8 rows respectively. This means you would need to repeat the whole set once more, to get back to where you have started.

6-Row repeat

Similarly, if you used a pattern that is worked over 6 rows, you would need to repeat the set 3 times and work the different rows of the pattern for each short-row segment to get back to where you started etc. Then, you can apply the above knowledge and place several patterns next to each other over a short-row fabric to achieve (2).

To achieve (2), choose a pattern with a row repeat of the same row number or its divisible fraction to each segment.

The easiest way to do this is to use a pattern that has the row repeat of 2, 4, 6, 8 etc. on each segment of short row. In other words, use a pattern that has the same number, or a divisible fraction of rows, for the segment on which you want to place the pattern.

For example, in the above pattern (also see fig. 2) (i.e. there are 3 wrap & turns in one set and the total number of rows worked per set is 8 rows), you can select patterns that have row repeats of 2, 4, 6 and 8 rows (or 2, 4, 3, 4, or 2, 4, 6, 4, or 2, 2, 2, 2 or 2, 2, 3, 4 etc etc..).

Stitch Rule

Once you know which row repeat of the pattern you can use, you then have to consider how the actual pattern is constructed across the stitch. This is because you have to take the wrapped stitch into account.

The wrapped stitch is not knitted until you want to hide them at the end of the short-row set, where this wrap is lifted from below and worked with the stitch (rows 7 and 8 in the above example). This means that you would need to choose a pattern that has at least one stitch that is unchanged (i.e. a stitch that does not move across e.g. increased, knitted together, or cabled).

Therefore, the best place to put the wrapped stitch for a cabled short-row is the purl stitch between the cables. If you work the Osney Shrug, you will notice that the wrap is placed on a stitch that is not involved in the patter (i.e. not cabled, increased or decreased etc).

No Right or Wrong

The beauty of knitting is that whatever you do, there is no absolute right or wrong! There will always be exceptions and complications to the above rules that I have introduced. Right at this moment, I am designing a horizontal cable yoke garment and I have had to tweak the rule to fit with a different sized garment. One thing to recommend is to make a swatch of the sample when you create a patterned short-row fabric to double check.

So, I hope this article will give you some super ideas for your new designs and create lots of wonderful, creative knitting!

Just found this amazing site! Create Your Own Icelandic Lopi Patterns.

If you love custom knitwear like me, you will love this site. Basically it is an online knitting pattern creator for Icelandic Lopi sweaters. I was so amazed and impressed about this site so I contacted the owner of the site if it was OK for me to blog about it, and I got a reply!

Lopi Sweater Design Site

So the story goes like this, he is a software developer and a husband of a keen knitter. Originally he developed this site for her (how amazing!) so that sh can design her own Lopi sweater. It is now a free site for everyone. He says that he is constantly improving the functionality, so if you see something that you want or would like to be improved on, please let him know! He has a great blog and also a ravelry group page.

Gosh I have so many I want to knit now! Yesterday I was bragging on about how much I wanted to knit a pair of socks on CC facebook page. Now I want to knit Lopi sweater too. No time for the wicked in deed.

Now, a quick news for everyone in the UK. There will be a Stitch and Craft Show from today to Sunday at Olympia. On Sunday only, I will be there as an expert knitter working with The Knitter magazine. I will be around helping out with patterns or any knitting inquiries among other expert knitters!! So if you are there on Sunday come and say hi! I will also take lots of pictures and blog about it later :)

Happy knitting!

Getting Inspirations

Hope you all had a wonderful Bank Holiday. For those in the US, I am so glad that hurricane Irene did not become any worse, but I am sending my prayers for those who suffered and I hope things will get back to normal soon. The world is going crazy at the moment so it is always good to be safer than sorry.

Today, I would like to talk about how you can get inspired from things that are ordinary but by looking at it from a different direction. While the weather is bad outside, why not find inspiration at home?

A standard cable swatch, but I am loving it.

A standard cable swatch, but I am loving it.

Currently I am creating series of swatches for new designs. There are beautiful stitches around but I don’t usually choose an extremely difficult ones because I like my patterns to have a nice “rhythm” when one knits.

I always want to create something visually attractive yet fun to knit. To achieve this, I need to overcome minor obstacles in knitting: unlike sewing, you have to cast on-> knit -> cast off. This means you can’t just create a shape quickly – everything has to be carefully calculated.

So to make knitting look fresh and new, you have to look at things from a different direction:

It's not that I have a terrible eyesight (actually I do) but I am trying to find a secret message in this book by reading upside down.

It's not that I have a terrible eyesight (actually I do) but I am trying to find a secret message in this book by reading upside down.

So I try looking at things up-side-down.

What does the world look like from a cat-point-of-view?

What does the world look like from a cat-point-of-view?

I also try to think like something else (e.g. my cats). How do others look at things?

I may create something novel by sitting up-side down to knit.

I may create something novel by sitting up-side down to knit.

I position myself differently. May be I see something differently too.

Do try this at home. You will find something you did not know at home. I have actually got lots of inspirations doing this (my husband was getting a bit worried LOL) and they will be in the new designs to come.

Hope you have a great week ahead!

How to Design a Knitwear from Scratch – 1.2. Get the Right Fit

My mind is always about patterning a new garment and writing this series is totally occupying me. Since it does actually take time to gather all the information to write about how to design a knitwear, I think I will do other “light” posts in between from now though :D

Talking about the pattern writing, I am now looking for a knitting patternist, preferably in the UK (people out of the UK are also welcome but there are some issues about the sending the yarn etc), to help me write and edit the knitting patterns. The details are all here so if you are interested in joining the world of Cotton & Cloud (or if you have any questions), please contact me.

Even my mannequins are enjoying the sun.

Even my mannequins are enjoying the sun.

So far, we have gone through the planning stage of the garment to be designed. I have added a summary table at the end of my previous post so do have a look (here) :D

To me, creating a well-fitted knitwear is of paramount importance. What’s the point of a garment if it does not fit you? Getting the right overall measurements and shaping of a garment (e.g. length, width, sleeve shaping, neckline) will help you structure you specification drawing (discussed at later post) and create a well-fitted knitwear. So in this post I will write about general pointers about measurements.

When I work out the measurements to get the right fit, I use two main methods: 1) using the body measurements and work out from them, 2) using a template such as existing garment or patterns. The best thing is to use all of these methods and come up with the super-snug, best-est ever knitwear!

1. Body Measurements

The first thing you would need to do is to take body measurements (although this may not be possible – see later). You can find loads of information about how to measure your body from dress-making books and sites so I won’t go into too much details. But if I were to say the most important parts of the body to measure, they would be:

  • A: Bust / chest (the widest point)
  • B: Sleeve underarm (wrist to the armpit)
  • C: Underarm to waist (I always find it better to add a couple of inches so as to allow the garment to fit well when your moves)

The above will give you the most basic skeleton. But to add more “meat” to the skeleton of your design, measure more if possible such as:

  • D: Centre back neck to waist – This will give you armhole measure when subtracted by underarm to waist.
  • E: Waist (the narrowest point).
  • F: Across the back of the neck
  • G: Top arm (the thickest part of your arm)
I thought this wooden model would be better than me posing naked in front of the camera....

I thought this wooden model would be better than me posing naked in front of the camera....

Body Measurements vs Actual Knitted Measurements = Fits (Ease):

There are body measurements (e.g. bust size) and actual knitted measurements. The actual knitted measurements determines how fitted the garment will be to your body measurements. I found a “fit chart” from Vogue Knitting (The Ultimate Knitting Book) - the measurements on the first row in bold are the actual bust sizes. The various fits are described on the left column. The measurements in the table are the actual knitted measurements of the bust. So for example, if I am 34″ bust and want to make a standard fitting garment, I need my knitted garment’s bust size to be 36″.

Bust sizes 32″
(81cm)
34″
(86cm)
36″
(91cm)
38″
(96cm)
40″
(101cm)
v. close fitting
(body-hugging)
30″
(76cm)
32″
(81cm)
34″
(86cm)
36″
(91cm)
37″
(94cm)
close fitting
(body-contoured)
32-33″
(81-84cm)
34-35″
(86-89cm)
36-37″
(91-94cm)
38″
(96cm)
39″
(99cm)
standard fitting
(body-skimming)
34″
(86cm)
36″
(91cm)
38″
(96cm)
40″
(101cm)
41″
(104cm)
loose fitting
(straight-hanging)
36″
(91cm)
32″
(81cm)
40″
(101cm)
42″
(106cm)
43″
(109cm)
over sized
(full, roomy)
37″
(94cm)
or more
38″
(96cm)
or more
41″
(104cm)
or more
44″
(112cm)
or more
45″
(114cm)
or more

In Debbie Abraham’s Design Your Own Knits in 5 Easy Steps (BTW, this book is HIGHLY recommended), she tells us to add extra inches to the body measurements to achieve the desired fit:

Type of fit Amount to add or subtract from total
Tight fitting - 1 – 2 cm (1/2 – 3/4″)
Close fitting + 1 – 2 cm (1/2 – 3/4″)
Standard + 3 – 6 cm (1 1/4 – 2 1/4″)
Easy firing + 6 – 8 cm (2 1/4 – 3 1/4″)
Loose fitting + 10 -15 cm (4 – 6″)
Generous + 18 cm (7″) or more

2. Template

2.1 Existing garment

Even with the same size, knitwear come in all sizes and shapes. As Elizabeth Zimmermann wrote in many of her books (such as in The Opinionated Knitter), use your / his / her best fitted knitwear as a template when you design a knitwear from scratch. What I have found the most useful is to choose the template garment as similar in thickness and texture as the garment you will have create with the chosen yarn.

Many years back, I didn’t think much and used the best-fitted jumper as a template as told. This jumper was, however, much thinner than the yarn I was going to use and much more consistent in texture (thin, machine knitted). When I knitted up my garment, it was completely the wrong fit. So I have learnt my lessons.

Using the best-fitted jumper as your template is particularly useful if you are “secretly” knitting something for your loved ones because you can sneak out the jumper from the drawers and get the measurements quickly. If you are living with a very observant husband / partner who may notice the way the clothes are put away, you can just say that you were tidying up the cupboard for him (LOL!).

2.2 Existing patterns

It’s also a good idea to see what sizes are used for already-published patterns. Again, choose the patterns that use similar yarn, texutre and designs.

2.3 Other resource

If all this turns out to be impossible, try browsing the internet clothes shop to see if they put any of the actual size of the clothes. This will give you some kind of idea where to start. For example I find Boden very helpful because it gives you all the actual measurements on the each clothes. Though bare in mind that the measurements you get from such source will not be complete and you would probably need to use other templates for measurements.

—————–

Phew! I am off to knit alfresco now :D Happy knitting weekend!